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Picturesque, isn't it?

5/17/2012

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Picture
   I looked down on him unobserved from the balcony, so he didn't see me until I called out.
   "Picturesque, Isn't it?"
  He peered up at me, suddenly alert. Apparently, he hadn't counted on any of the residents remaining on the property. He looked a lot like Sam Jaffe, the actor who played the Einstein-like professor in The Day the Earth Stood Still. Dressed as I was, barefoot and clad only in a thin t-shirt and shorts, he clearly saw I was no threat to him, and his alarmed expression gave way to curiosity. Still, he didn't say anything. It was my dream, after all, not his. He turned to face me, looking up expectantly, and the great arms of the old oak seemingly embraced him. I loved that old tree whose shade had cooled the environs of the otherwise austere landscaping.
   Suddenly, I felt a little precarious. At my back I could feel an eerie vacancy, but didn't turn around out of fear that my apartment had already been cut away from the building to leave me suspended on ungrounded masonry. I reached out to steady myself by grasping the handrail, but my hand tore at at empty air. I looked down and saw that the demolition men had cut the banister off my back porch in preparation for the eviction. All that was left was a series of short little square pedestals not quite flush with the concrete.
   Feeling quite giddy, I might have tripped and gone over the edge, but instead I lowered myself carefully and sat down on the top step. I cradled my cup of morning tea in my hands and took a sip while surveying my domain as I had done so many times before. I wondered at the intruder's purpose in being there, and was about to initiate a conversation with him to determine his reason to be on the property.
   Yes, I was back at Wilshire Village once again, caught in a dream and returned to the place I spent so many years as resident.

  
   These midnight returns to Xanadu are less frequent now. It has been thirty eight months since I was forced to abandon my squalid refuge in the heart of the Montrose. All that squalor is gone now, replaced by a  trendy new HEB that has been built on the site of my former address. I had gone there a few days before my dream to purchase some sushi for my final semester critique in printmaking. I cycled through the expansive parking lot, and paused to examine the health of the grand old oak that used to be "mine." She seemed a bit weakened, a few tiny branch-tips appeared to be dead, but overall there was an abundance of leafy growth from the Spring season just ending. Was this the first sign of weakness? Trees take a long time to die, several years for this aged centenarian, and death starts at the fingertips and works its way to the heart.
   I passed a red-haired grounds keeper talking to a couple of suited executives, perhaps relaying a status report. The suits moved off and I stopped and inquired, "Taking care of the trees?" He assented vaguely, and before I could stop myself, I added by way of explaining my interest, "I lived here for 25 years under the shade of this tree."
   "Oh" he answered, "In the old apartments they tore down?"
   "Yes, until they evicted me a couple of years ago." It was evident he had little knowledge of the world that had been erased here. He was glad to have a job, and certainly preferred the grounds now to any that might have existed on the grounds some irrelevant time ago.
   "Well, take good care of her. I miss her."
   He muttered something not disagreeable as he turned his attention to the plants at his feet. I wheeled my bicycle around past the suits and tied up at the lockup area in the front. Near the sinusoidal curve of pipe to accommodate two-wheeled patrons the management had tethered a set of repair tools and an air pump: they were going for a progressive urban neighborhood crowd. I locked up my bicycle and re-situated my bag from the back fender to my shoulder.
   When I was still angry at having to move from Wilshire Village Apartments, I thought I would never patronize whatever replaced my old world. As the electric doors slid silently open, I felt a sense of trepidation and almost turned around and exited. Instead I charged ahead and came into the wide high-ceilinged interior. There was an abundance of customers pushing their heavily laden carts filled with produce and packaged items. As I picked up my sushi the Asian ladies greeted me with a salutation, "Thank you!" in a Japanese accent corrupted by years spent here in the States. In the cheese section a woman in a garish white hair net sliced her product, oblivious of the distractions all around her. A slim young man with blonde hair tried to cajole me into a bite of free chocolate confectionery, seemingly a little puzzled by my refusal of this tidbit.
   I was the inconsequential man who knew the secret behind the curtain no one was interested in peering through. Everyone was there carrying out their business, feeling quite at home in their secure routines. This place was their favorite grocery store, perhaps, the place they shopped now instead of Fiesta across the street. Or this was their job and they felt comfort and security in the familiarity of their tasks. No person beside myself in this large space cared anything for what once was here. Everyone but me considered it a vast improvement over the derelict old buildings that were pushed aside to make way for progress.
   I pushed my cart to the cashier, waited for my turn, then paid with a debit card and was on my way. I had broken my vow to never shop at the store that so changed my life. I'll be back, of that I am sure.

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Tahini and Proust

5/11/2012

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Picture
   Proust is famous for his lengthy ode to his memories of a pastry from his childhood. For the famous author, each time he tasted "petite madeleine" he was instantly brought back to his grandmother's house in Combray and his childhood there. I have my own madeline memory, though its origins are far murkier and took most of my adult life to properly identify.
   At first, when I was in grade school, it was more like a smell that would waft through the back of my throat, followed by a hint of a taste. It resembled peanut butter, at least that taste is close to what most people would recognize. More accurately, it resembled  a strange concoction made of sesame seeds that my mother would sometimes acquire from the foreign gourmet section of the grocery store in Rapid City. We lived in Edgemont, a town of some 2500 souls then, but now a nearly abandoned relic of 774 idle stragglers. Rapid City was the closest thing to a city in the western half of South Dakota of 1958, a couple of hours drive through prairie lands where once grazed millions of bison. Rapid City had a population 40,000 then (and even now only 70,000), and seemed quite altogether a city.
   Mother called it "helva" and she had tasted it when the family lived in Türkiye when I was an infant. I remember the first time she saw it in the supermarket she cried out in surprise at finding it in America.
   "I haven't had helva since we left Turkey," she exclaimed when she saw the can in the meagre import section. "I must have this!" she said as she placed several cans in her shopping cart. About ten years before the family had lived in the back woods of Turkey, where father was a consultant to the government of Turkey. Mother took the mystery cans home and hoarded them carefully for special occasions or particular guests, but I knew where the stash was and found the mixture strangely compelling. Among the ranching folk of Edgemont, my parents were considered cosmopolitan because they had lived in a foreign county, and this constituted proof of their elite status, for me and for the community.
   The ground sesame seeds evoked for me a strange sensation. It reminded me of some similar but distinct taste from my earliest memories. I tried to concentrate on how that mystery food from so long ago tasted, but I couldn't quite wrap my mind around it. I would let the candy-like fibrous mass slowly melt in my mouth and try to squeeze from it the memory of what it reminded me of. At ten, I was no longer a baby, and was beginning to develop a sense of nostalgia. I begged my mother to buy "Pablum" for breakfast cereal, even though it was marketed for infants. To adults, I suppose, it signified "something that is trite, insipid, or simplistic," but I had a tangible and sentimental attraction to Pablum. The mild cereal taste and soft pasty structure brought me into a feeling of being coddled, like having my back scratched. This emotional space was situated somewhere near the dawn of my conscious mind.
   Helva scratched away at a deeper part of my subconscious mind, a time even before Pablum. With the Helva, I couldn't get all the way there, there was some intermediary that Helva reminded me of, but I didn't have a name for that deeper morsel of the ultimate comfort food. If I closed my eyes as a the dollop of Helva dissolved into fluidity on my tongue, I could almost get there to grasp the taste of what I craved. Once the Turkish treat had all been eaten, I found that I could conjure the taste of the secret unknown potion purely from my memory. That memory would come to me throughout the years that followed, often unpredictably. I would be sitting there in an idle moment, midpoint between my last intake of victuals and the one to come. Astride memory and anticipation, their corrupting influence was minimal when that taste would once again begin in the back of my throat and linger there taunting me with questions of its identity. Sometimes months would pass between the intrusions of these sensory memories, but they never actually left me. The solution to its identity came slowly, mediated by a protein shake.
   In Houston there has been a significant Middle Eastern here presence for decades. When I first came to town I shopped at Antone's Deli where I would find "Halvah" as the imported bilingual label spelled its product. I would eat falafel there from time to time, or gyro sandwiches. Later a student of mine from Lebanon introduced me to Baba Ghanoush and Hummus, and in a few more years these could be found at the Whole Foods grocery store. Eventually, I learned that hummus was easy to make and I resolved to try my hand at the recipe. It was a simple set of ingredients: lemon juice, garbanzo beans, tahini and garlic. I became fond of hummus and thus tahini became a staple in my refrigerator. Like Halvah, it is made from sesame seeds, but tahini is far different in texture. Halvah is like the inside of a Butterfinger candy bar, but less dense and more fibrous. Tahini is more like runny smooth peanut butter. There is no sugar added, so it can't be mistaken for candy. Helvah can be spooned up and eaten like a confection, but tahini seems to be reserved for recipe concoctions or spread on toast like its American cousin.
   Then one morning I was out of the walnuts that had been my healthy-fat contribution to the protein shake I had been having for breakfast. I substituted tahini and was pleased with the taste of the new additive. It soon became a staple for my shakes, even when I had walnuts on hand. Some subtle flavor in the mix was strangely soothing, familiar and comforting. As I made these morning shakes, it became my habit to lick the tahini spoon of the remnants remaining after I allowed the spoonful to slide onto the blueberry-apple-banana-oat mixture. Gradually, I came to realize that the tahini was the mysterious taste from my childhood I had been looking for. The  realization was slow, and depended on changing brands from Biladi to Joyva, the latter roasted with a nuttier flavor. The mysterious taste reached deep into my childhood and lingered on my palate, infusing the back of my throat with a distinctive roasted nutty flavor. Eureka!
   But why tahini? I moved to Turkey when I was just beginning to walk. I suppose I was eating baby food, probably made from fresh ingredients pureed through a Foley Mill, a strange kitchen implement used to make applesauce. I still have that same Foley Mill my mother must have used in Turkey; I use it to strain cranberries for my cranberry-kumquat compote. Mother considered the Turks rather primitive, and eating in Turkey for her was a dangerous international adventure. I doubt there was any peanut butter there, and in those days peanut butter was one of the first solid foods brought into a toddler's diet. I suspect that tahini was substituted for peanut butter and may have been my first favorite food. So now it is back, and my early childhood is now brought into my geriatric present.
   As from the poem by T. S. Eliot:

   ... the end of all our exploring 
    Will be to arrive where we started 
    And know the place for the first time


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    Author

       I'm a seventy something old codger retired from an all-to-brief career as a scientist and educator. No longer bound by the constraints of having to make a living, I have turned to the arts to amuse myself. My work consists of "works on paper" including prints and photographs, as well as letterpress and book arts. I write for my own amusement and read whatever books I find interesting from Proust to Melville.
       After decades as a bicycle riding city dweller in Houston persisting in very tight geographical zone scarcely five miles in radius around the  downtown district, I have pulled up my roots and moved to San Miguel de Allende, Mexico. There I have reconstituted Big Ant Studios in a marvelous setting and make prints and work on my websites. 
       My interests include: art, science, history, literature, philosophy, evolution, genetics, ecology, languages. 

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